At the mountain's base, a traveller seeks the wisdom of a learned monk--adding a touch of human presence to this ethereal setting. In this transcendental setting, however, wisdom is found not only in sage advice but also in the embrace of towering mountains and the subtle rustle of leaves.
Navigating the serene terrains of Hou Xiantang's paintings, the audience finds itself transported beyond the mundane. Hou employs a distinct M-shaped brush stroke that lends an intriguing blend of vitality and enigma to the mountainous landscapes he presents as his ultimate "hidden paradise." This technique affords remarkable versatility, layering strokes to evoke towering, rugged mountains or employing a softer touch to suggest lush, dense forests.
Ink-wash painting, unlike oil, lacks the benefit of coverage and opacity. One single misplaced stroke has the power to disrupt the entire artistic pursuit. There is no such thing as white ink; all white spaces are deliberate omissions on the paper. This juxtaposition of reserved white spaces—depicting clouds, mist, ripples, and streams—demands a high level of proficiency with the brush and a heightened awareness of aesthetics.
- Signature: Hand-signed + personal seal at lower right cornerA Journey for Truth, 2023
A Journey for Truth
-
- Returns are accepted within 7 days from the date of receipt.
- Each order is 100% insured in case of any damage or loss.
- Free shipping to the US and Canada.
- Taxes may apply at checkout.
At the mountain's base, a traveller seeks the wisdom of a learned monk--adding a touch of human presence to this ethereal setting. In this transcendental setting, however, wisdom is found not only in sage advice but also in the embrace of towering mountains and the subtle rustle of leaves.
Navigating the serene terrains of Hou Xiantang's paintings, the audience finds itself transported beyond the mundane. Hou employs a distinct M-shaped brush stroke that lends an intriguing blend of vitality and enigma to the mountainous landscapes he presents as his ultimate "hidden paradise." This technique affords remarkable versatility, layering strokes to evoke towering, rugged mountains or employing a softer touch to suggest lush, dense forests.
Ink-wash painting, unlike oil, lacks the benefit of coverage and opacity. One single misplaced stroke has the power to disrupt the entire artistic pursuit. There is no such thing as white ink; all white spaces are deliberate omissions on the paper. This juxtaposition of reserved white spaces—depicting clouds, mist, ripples, and streams—demands a high level of proficiency with the brush and a heightened awareness of aesthetics.
- Signature: Hand-signed + personal seal at lower right corner