In this masterful composition, lacquer techniques are executed with unparalleled precision, bringing to life the opulence of peonies and the grandeur of peacocks. To the plate's left, the fragile beauty of peony petals comes alive through eggshell inlay. Surrounding these petals are mother-of-pearl inlays that glisten, capturing the ethereal light play that accentuates the pure and poised nature of the white peony blooms.

The flamboyant tail feathers of two peacocks showcase the intricate "yunjin" (暈金) technique. Here, every fine line defining the tail feathers is hand-painted with a transparent wet lacquer, followed by a delicate dusting of gold powder. The result is a depiction that radiates both finesse and ethereal beauty.

An art form with an allure that intensifies over time, lacquerware can be likened to a vintage wine that only gets finer with age. It’s by every measure a cultural artifact, with roots tracing back thousands of years in the East.

Crafted through a series of intricate steps, lacquerware emanates a sophisticated glow that's simultaneously majestic and understated. Its unique sheen, an interplay of luxury and elegance, has charmed global connoisseurs, evident in cherished pieces such as Chanel's iconic black lacquer screen or Jaeger-LeCoultre's polished lacquer dials.

Today, the torchbearer of this ancient craft is Wang Ching-Shuang, a luminary in Taiwan recognized as a "Living National Treasure." Together with his sons, Wang Xianzhi and Wang Xianmin, and grandson, Wang Junwei, they passionately uphold and further the rich traditions of lacquer artistry.

This multi-generational family not only preserves the foundational techniques of lacquer but also brings a contemporary touch with their refined artistic flair and discernment. They rejuvenate this age-old craft by seamlessly merging historical nuances with modern sensibilities. Each masterpiece they produce is a testament to their unwavering commitment to maintaining and enhancing the timeless appeal of lacquerware.

For the peacocks' bodies, fragments of mother-of-pearl and eggshell — varying in hue and dimension—are meticulously arranged. This artistry authentically captures the natural texture and vibrancy of genuine peacock plumage.

Behind these regal birds, the backdrop features the time-honoured "cover and grind" 罩漆磨顯technique. This method unveils mysterious swirling clouds set against the sheen of deep black lacquer, providing the piece with added depth and a captivating mysticism.