Tucked beneath an ancient pine tree on a craggy ledge built a quaint straw-roofed cottage with a sizable window. Two figures, presumably the cottage's occupants, stand at the top of the mountain, arms outstretched toward the far-off peaks. Their gazes are locked onto the towering summits and limitless horizons, suggesting a desire for exploration into unknown realms.
Navigating the serene terrains of Hou Xiantang's paintings, the audience finds itself transported beyond the mundane. Hou employs a distinct M-shaped brush stroke that lends an intriguing blend of vitality and enigma to the mountainous landscapes he presents as his ultimate "hidden paradise." This technique affords remarkable versatility, layering strokes to evoke towering, rugged mountains or employing a softer touch to suggest lush, dense forests.
Ink-wash painting, unlike oil, lacks the benefit of coverage and opacity. One single misplaced stroke has the power to disrupt the entire artistic pursuit. There is no such thing as white ink; all white spaces are deliberate omissions on the paper. This juxtaposition of reserved white spaces—depicting clouds, mist, ripples, and streams—demands a high level of proficiency with the brush and a heightened awareness of aesthetics.
- Signature: Hand-signed + personal seal at lower right cornerBeyond the Peaks, 2023
Beyond the Peaks
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Tucked beneath an ancient pine tree on a craggy ledge built a quaint straw-roofed cottage with a sizable window. Two figures, presumably the cottage's occupants, stand at the top of the mountain, arms outstretched toward the far-off peaks. Their gazes are locked onto the towering summits and limitless horizons, suggesting a desire for exploration into unknown realms.
Navigating the serene terrains of Hou Xiantang's paintings, the audience finds itself transported beyond the mundane. Hou employs a distinct M-shaped brush stroke that lends an intriguing blend of vitality and enigma to the mountainous landscapes he presents as his ultimate "hidden paradise." This technique affords remarkable versatility, layering strokes to evoke towering, rugged mountains or employing a softer touch to suggest lush, dense forests.
Ink-wash painting, unlike oil, lacks the benefit of coverage and opacity. One single misplaced stroke has the power to disrupt the entire artistic pursuit. There is no such thing as white ink; all white spaces are deliberate omissions on the paper. This juxtaposition of reserved white spaces—depicting clouds, mist, ripples, and streams—demands a high level of proficiency with the brush and a heightened awareness of aesthetics.
- Signature: Hand-signed + personal seal at lower right corner
