Crafted by the esteemed lacquer master Wang Ching-Shuang, this opulent piece embodies the vivacity of spring while radiating an innate tranquillity. At the heart of the artwork butterflies with wings that shimmer from the intricate mother-of-pearl inlay frolic amidst lush meadows.

On the lower left, clusters of flowers showcase the revered Kawari-Nuri technique, known for its "varied lacquering," which requires meticulous skill and is celebrated for its aesthetic richness. Complementing method, the lush spring fields adopt the time-honoured Maki-e technique, which means "sprinkled picture." This age-old approach intricately layers coloured powders onto the lacquer, producing vivid and detailed imagery.

An art form with an allure that intensifies over time, lacquerware can be likened to a vintage wine that only gets finer with age. It’s by every measure a cultural artifact, with roots tracing back thousands of years in the East.

Crafted through a series of intricate steps, lacquerware emanates a sophisticated glow that's simultaneously majestic and understated. Its unique sheen, an interplay of luxury and elegance, has charmed global connoisseurs, evident in cherished pieces such as Chanel's iconic black lacquer screen or Jaeger-LeCoultre's polished lacquer dials.

Today, the torchbearer of this ancient craft is Wang Ching-Shuang, a luminary in Taiwan recognized as a "Living National Treasure." Together with his sons, Wang Xianzhi and Wang Xianmin, and grandson, Wang Junwei, they passionately uphold and further the rich traditions of lacquer artistry.

This multi-generational family not only preserves the foundational techniques of lacquer but also brings a contemporary touch with their refined artistic flair and discernment. They rejuvenate this age-old craft by seamlessly merging historical nuances with modern sensibilities. Each masterpiece they produce is a testament to their unwavering commitment to maintaining and enhancing the timeless appeal of lacquerware.